First, Buffy Ste. Marie. This goes out to The People occupying Wall Streets all over the world. https://www.youtube.com/watch?v=XKmAb1gNN74 Next, Joni Mitchell. All week I have been thinking about that song by Joni Mitchell with the refrain "he was playing real good for free..." because we were at the Plaza in Santa Fe and saw this beautiful lady playing classical guitar. Real Good. OK, I gave her my dollar. But it was basically For Free. https://www.youtube.com/watch?v=HmzN1p5q2sY "A thinking woman sleeps with monsters." Ran across that piercing, truthful line from Adrienne Rich in the preface to an old book I re-discovered the other night. It is a book of poetry Mike Hall gave me when he and Paul Henehan and I went to Ireland to play and sing, mostly for free. As I opened the book a bus ticket fell out. The ticket is labeled "BUS EIREANN." It's stamped "20 Jun 91, " so it must have been from the evening ride I took from Galway back to Dublin. When I stepped out of the bus I stepped into a carnival. Wandered about in the colored lights until I found my friend Daragh McCarthy, then slept on his couch because I got sort of lost trying to find the house where I'd been staying and where I'd left my suitcase...it was over a bridge, I remembered that much--but which bridge? Eventually, I found the house, my suitcase, and, eventually, a cab to Dun Laoghaire to catch the ferry back to Holyhead to catch the train past the white chalk horse etched on the hillside outside London. "Don't be forgettin' your way back, now," said the cab driver. Snapshots of a Daughter-in-Law by Adrienne Rich 1 You, once a belle in Shreveport, with henna-colored hair, skin like a peachbud, still have your dresses copied from that time, and play a Chopin prelude called by Cortot: "Delicious recollections float like perfume through the memory." Your mind now, moldering like wedding-cake, heavy with useless experience, rich with suspicion, rumor, fantasy, crumbling to pieces under the knife-edge of mere fact. In the prime of your life. Nervy, glowering, your daughter wipes the teaspoons, grows another way. 2 Banging the coffee-pot into the sink she hears the angels chiding, and looks out past the raked gardens to the sloppy sky. Only a week since They said: Have no patience. The next time it was: Be insatiable. Then: Save yourself; others you cannot save. Sometimes she's let the tapstream scald her arm, a match burn to her thumbnail, or held her hand above the kettle's snout right in the woolly steam. They are probably angels, since nothing hurts her anymore, except each morning's grit blowing into her eyes. 3 A thinking woman sleeps with monsters. The beak that grips her, she becomes. And Nature, that sprung-lidded, still commodious steamer-trunk of tempora and mores gets stuffed with it all: the mildewed orange-flowers, the female pills, the terrible breasts of Boadicea beneath flat foxes' heads and orchids. Two handsome women, gripped in argument, each proud, acute, subtle, I hear scream across the cut glass and majolica like Furies cornered from their prey: The argument ad feminam, all the old knives that have rusted in my back, I drive in yours, ma semblable, ma soeur! 4 Knowing themselves too well in one another: their gifts no pure fruition, but a thorn, the prick filed sharp against a hint of scorn... Reading while waiting for the iron to heat, writing, My Life had stood--a Loaded Gun-- in that Amherst pantry while the jellies boil and scum, or, more often, iron-eyed and beaked and purposed as a bird, dusting everything on the whatnot every day of life. 5 Dulce ridens, dulce loquens, she shaves her legs until they gleam like petrified mammoth-tusk. 6 When to her lute Corinna sings neither words nor music are her own; only the long hair dipping over her cheek, only the song of silk against her knees and these adjusted in reflections of an eye. Poised, trembling and unsatisfied, before an unlocked door, that cage of cages, tell us, you bird, you tragical machine-- is this fertillisante douleur? Pinned down by love, for you the only natural action, are you edged more keen to prise the secrets of the vault? has Nature shown her household books to you, daughter-in-law, that her sons never saw? 7 "To have in this uncertain world some stay which cannot be undermined, is of the utmost consequence." Thus wrote a woman, partly brave and partly good, who fought with what she partly understood. Few men about her would or could do more, hence she was labeled harpy, shrew and whore. 8 "You all die at fifteen," said Diderot, and turn part legend, part convention. Still, eyes inaccurately dream behind closed windows blankening with steam. Deliciously, all that we might have been, all that we were--fire, tears, wit, taste, martyred ambition-- stirs like the memory of refused adultery the drained and flagging bosom of our middle years. 9 Not that it is done well, but that it is done at all? Yes, think of the odds! or shrug them off forever. This luxury of the precocious child, Time's precious chronic invalid,-- would we, darlings, resign it if we could? Our blight has been our sinecure: mere talent was enough for us-- glitter in fragments and rough drafts. Sigh no more, ladies. Time is male and in his cups drinks to the fair. Bemused by gallantry, we hear our mediocrities over-praised, indolence read as abnegation, slattern thought styled intuition, every lapse forgiven, our crime only to cast too bold a shadow or smash the mold straight off. For that, solitary confinement, tear gas, attrition shelling. Few applicants for that honor. 10 Well, she's long about her coming, who must be more merciless to herself than history. Her mind full to the wind, I see her plunge breasted and glancing through the currents, taking the light upon her at least as beautiful as any boy or helicopter, poised, still coming, her fine blades making the air wince but her cargo no promise then: delivered palpable ours.